Painted in Phnom Penh, Cambodia. Based on a local Khmer artisan named Moeun Thary, who hand-embroiders traditional Khmer ceremonial garments. The ring of designs behind her is from one of her pieces.
The mural was on the north-facing end of a large housing complex from the 1960s called the White Building, known for its community of low-income tenants and artists.

"Since I had the opportunity to paint such a large, visible wall in a place where there are seemingly no other large scale murals like it, I felt an extra sense of responsibility to paint something beautiful, meaningful, and uplifting.
This mural honors Cambodia's artists, both contemporary and those lost during the Cambodian genocide of the mid to late 1970s, when nearly all of the country's creative population was targeted and murdered by the regime.
I hope this mural can serve as a respectful tribute to the importance and perseverance of Cambodia's creative legacy, and possibly, in some small way, offer inspiration for younger Cambodian artists to sustain this legacy."

This mural was whitewashed by the local government shortly after it was completed.